home *** CD-ROM | disk | FTP | other *** search
- CINEMA, Page 71Doing the Bright Thing
-
-
- The Hudlin brothers have a homeboy hit with House Party
-
-
- Kid is an Andy Hardy for the '90s: a scheming innocent, ever
- wavering between girlfriends, ever scampering away from trouble
- and smack into worse. With his impish, Darryl Strawberry-size
- grin and an 8-in.-high flattop haircut that looks like a
- pillbox hat out of Zsa Zsa's closet, Kid (Christopher Reid)
- swipes audience sympathy from the get-go. Now he sits in the
- principal's office after a cafeteria fight with evil dude Stab
- (Paul Anthony). Seems Stab has branded Kid's dead mother a
- whore. The white principal is befuddled. "Why in God's name,"
- she asks the perp, "did you call his mother a garden tool?"
- Ho', that is. Ho-ho-ho.
-
- The elements of House Party are familiar from a zillion
- youth movies: the boy who sneaks out to a teen hop, the school
- punks who spit out threats, the nice girl our hero flirts with
- and the even nicer one he winds up with. Lots of wit in the
- pop-tune lyrics; too much raw-mouthed slurring of women and
- homosexuals in the dialogue. The difference here is that the
- filmmakers and the lead actors (including rap artists Kid 'N
- Play and Full Force) are all middle-class blacks. The script
- virtually carries warning labels for unwary teens. Drinking is
- bad; sex without a condom is irresponsible. Rude and righteous,
- House Party is John Hughes divided by Spike Lee. "I wanted to
- make a movie that I had not seen," says writer-director
- Reginald Hudlin, 28, "but a movie that I wanted to see."
-
- Made for just $2.5 million, House Party has won positive
- reviews and healthy box office, earning more money per screen
- than the megahit The Hunt for Red October. Most important to
- Hudlin and his older brother Warrington, who produced it, House
- Party appeals to the people it is about. "There's a theater two
- blocks from our house in Harlem," Reginald says, "and kids come
- out narrating the plot to their friends and get back in line.
- It's nice to provide an experience that you wanted when you
- were that age."
-
- The Hudlin bros hail from East St. Louis, Ill., where they
- were nurtured, says Reginald, "in a matrix of black folk
- culture. Brother Joe May, a famous gospel singer, lived two
- doors down on one side, and Ike and Tina Turner lived two doors
- down the other side. It was sort of heaven and hell,
- equidistant." The Hudlins emigrated to two matrices of official
- culture -- Warrington went to Yale, Reginald to Harvard -- but
- as filmmakers they wanted to return home. "When we went to
- parties, this funny stuff would happen," Reginald says. "I
- promised my friends that one day I would put it all in a film.
- So I made a 20-minute version of House Party as my senior
- thesis."
-
- The filmmakers pepper House Party with a wide range of
- cultural references, from Public Enemy (the rap group) to
- Public Enemy (the Cagney classic). But most of their humor is
- homeboy, or what Reginald calls "Afro-Americana. Little bits
- of junk culture that tie the black community together." That's
- what the Hudlins hope to do now that, as Warrington puts it,
- "every studio in Hollywood has said they'd finance our next
- movie." As a kid, Warrington thought "movies were like magic
- that was performed in Hollywood." Now he and his brother have
- learned that if you believe in magic, you can start making it.
-
-
-
- By Richard Corliss. Reported by Kathryn Jackson Fallon/New York.
-
-
-
-
-
-
-
-
-